Category Archives: Aesthetics

Call for Artists – KLAS Residency Program 2017

There are two Artist in Residence programmes that will take place at the MPI for Colloids and Interfaces, the MPI for Molecular Plant Physiology (both located in Golm, Germany) and the University of Groningen (The Netherlands). The Call is open until January 31st, 2017.

AESTHETICS get SYNTHETIC: Knowledge Link through Art and Science (KLAS)

Synthetic biology is a thriving field at the interface between
molecular and cell biology and engineering disciplines. It is
predominantly based on design, construction and analysis of new
functions and unprecedented biological systems while it also allows a
better understanding of existing biological phenomena by means of its
synthetic “reconstruction”. AESTHETICS get SYNTHETIC: Knowledge Link
through Art and Science (KLAS) main goal is to initiate collaborative
artistic and scientific exchange to foster transdisciplinary dialogues
as well as to contribute to a wider understanding and appreciation of
synthetic biology.

The knowledge link established during the residency period intends to
influence both the work of the participant research groups and the
resident artists. This bidirectional feedback is expected to provide a
highly fertile ground for a dialogue that should also attract the
attention of non-specialized audiences much more easily than purely
scientific orientated discourses.

Artists interested in exploring the aesthetic and discursive
possibilities that are derived from the connections between innovative
creative practices, new materialistic approaches and synthetic biology
research are invited to submit an application.

This competition is open for artists to propose all kind of innovative
concepts and ideas in the field of visual art, interactive art,
digital music/sound art, sculptural art, hybrid art, performance &
choreography, architecture and photography.

The call is open to artists internationally to apply for a residency
program at the Max Planck Institute of Colloids and Interfaces and the
Max Planck Institute of Molecular Plant Physiology, both located in
Golm (DE) as well as the Groningen Biomolecular Sciences and
Biotechnology Institute of the University of Groningen (NL).

The residency programme

There will be two Artist-in-Residence stays within the time period
June to September 2017. The artists are expected to be present for a
minimum of two weeks in each of the two locations (Potsdam-Golm and
Groningen). Both Artist-in-Residence stays are intermitted by a
private time for the artist to develop the final project. It is at the
chosen hosting institution for the second Artist-in-Residence stay
where the work will be showcased later on. A commitment of the artist
to deliver an art-piece within one year after the starting date of the
residency will be requested.

Artists will be free to work on their own projects but will also be
expected to interact with their colleagues, participate in the
lectures and group talks during their stay and document/ share their
experiences for both academic and general audiences in an online form.

The artist will be expected to be in-residence for 2+2 weeks between
June and September 2017.



[Conference + Art] Innovate Heritage “Art & The City”

Innovate Heritage 2016 „Art & The City: New Cultural Maps“

27th-28th of October 2016 at the School of Architecture, Mediterranea University.

Polyhedra is proud to present its project with the Università degli Studi Mediterranea di Reggio Calabria: the first satellite edition of Innovate Heritage!


The two-day workshop „Art & The City: New Cultural Maps“ explores intuitions, approaches, views and actions from different perspectives and cultures, facing questions and dilemmas related to heritage management and governance in multi-cultural urban and metropolitan frameworks.

The discussion will focus upon the radical change affecting society and the economy, and transforming the cultural paradigm from a competitive and dimensional struggle into a participative and synergic challenge, with new needs to cross-fertilise tradition and innovation.

Economists, urbanists, jurists, architects, philosophers and artists will perform an intensive and nonprejudicial exchange aimed at crafting sharp questions and drawing credible trails to our future, in the awareness of the growing importance of art and culture in social dynamics.

download the programme
The event will be filmed and videos soon available!

If you would like to host a satellite edition of Innovate Heritage, please get in contact at

CFP Sound Art and Environment

Evental Aesthetics

CFP: Sound Art and Environment
Guest Editor: Gascia Ouzounian
Deadline: 31 October 2016

Evental Aesthetics is an independent, double-blind peer-reviewed journal dedicated to philosophical and aesthetic intersections.  The journal is open-access, and there are no publication fees.  The Editors seek submissions for a special issue in 2016.

Each issue has two parts, one dedicated to a specific theme, and the other (“Aesthetic Inquiries”) devoted to aesthetic questions of any kind.  Thus the Editors seek submissions in two categories.

Sound Art and Environment

Suggested topics:
• Sound art and ontologies of space, place, and/or sociality
• Sound art and landscape, environment, geography, urban and public space
• Sound art and experimental approaches to architecture, planning, and mapping
• Sound art in remote or contested places, including conflict or post-conflict zones and under-served communities
• Sound art and biopolitics; new approaches to ecology and acoustic ecology; sound art and environmental activism
• Sound art and the non-human world

Topics may be freely interpreted.  However, all submissions must engage philosophical matters.

Evental Aesthetics welcomes articles (4,000-8,000 words) and Collisions (1,000-2,500 words).  Collisions are brief responses to aesthetic experiences that raise philosophical questions, pointing the way towards suggestive discussions.

find out more…



The Laboratory for Noninvasive Brain-Machine Interface Systems invites applications for one National Science Foundation (NSF) -funded postdoctoral  position at the intersection of neuroscience, engineering and the arts. The postdoctoral trainee will work in the areas of neural interfaces, wearable devices, fMRI, and the visual and performing arts in collaboration with leading art institutions in Houston such as the Blaffer museum, the Children’s museum, the Museum of Fine Arts-Houston and the Methodist Center for Performing Arts Medicine.

The position is with the Laboratory for Noninvasive Brain-Machine Interface Systems research group, Department of Electrical and Computer Engineering, University of Houston, Houston, Texas.  For more information about the department please follow the link:

The lab is directed by Professor Dr. Jose L ‘Pepe’ Contreras-Vidal (

Application deadline: 12-01-2015 (or as filled)




Jose L. Contreras-Vidal, Ph.D.
Hugh Roy and Lillie Cranz Cullen University Professor
Department of Electrical & Computer Engineering & Biomedical Engineering
Director, Laboratory for Noninvasive Brain-Machine Interface Systems
University of Houston. W310 Engineering Building II
Houston, TX  77204-4005
713-743-4429 (O)  713-743-4444 (F)

Description: This project will deploy noninvasive Mobile Brain-body Imaging devices (MoBI) in public and private museums with the goal of assaying individuality and variation in neural activity as it occurs (e.g., “in action and context”) in a large and diverse group of people, including children, experiencing fixed and interactive art exhibits. The research also includes working with neurological music/visual therapists and performing/visual artists to decode intentionality and understand the creative process. Applications to education, art therapy and engineering innovations will be sought. This is a great opportunity for those candidates with interests/skills in both the arts and neuroscience/engineering.

Major responsibilities: The postdoctoral fellow will carry out original research  throughout the period of appointment. Results will be communicated in the form of scientific articles, conference presentations, demonstrations, performances etc. The candidate will work under the supervision of senior researchers with background in neural and cognitive engineering, machine learning, big data analytics, performing arts medicine and neuroscience, and the arts. There will also be opportunities for collaboration with scientists and physicians with the Methodist Hospital Center for Performing Arts Medicine and local museums in the Houston area.

The working time of a postdoctoral fellow is mainly devoted to research and public outreach, but may include supervision of undergraduate and graduate students working in the neuroaesthetic team.

Position summary: Full-time temporary employment. The position is limited to a maximum of three years. Salary is competitive commensurate with experience and skills.

Qualifications: Applicants should have a Ph.D’s degree (or Diploma) in an area of Engineering or Applied Math, or an equivalent or similar background. Expertise or a degree in the Visual or Performing Arts is advantageous. Expertise in two of the following: biomedical signal processing, EEG, motion sensing, scientific programming, arts, neuroscience are required. Furthermore, the position requires sound verbal and written communication skills in English. High grades in relevant undergraduate courses, C/C++ and hardware implementation experience are advantageous.

University and Department: The University of Houston is located in a park-like campus close to major energy companies and the Texas Medical Center, the largest in the world, and NASA. The Carnegie Foundation recognized UH as a public research university with very high research activity. The department has embarked on an exciting period of research growth driven by committed leadership. Houston is a thriving city with an internationally diverse population, first-rate recreational opportunities, excellent schools, and affordable housing. The University of Houston, a designated Hispanic-Serving Institution (HSI), is among the top 25 colleges and universities granting undergraduate and graduate degrees to Hispanics and among the top 50 for enrolling Hispanic graduates and undergraduates. Additionally, the University ranks among the top 25 institutions for full-time, four-year undergraduate and graduate enrollment. The University of Houston is an ADVANCE institution, one of a select group of universities funded by NSF in support of our commitment to increase diversity and the participation and advancement of women in STEM.

Philosophy of Design: An Exploration
Philosophy of Design: An Exploration

Call for chapters
Call for co-authors

Philosophical interest in design and design research is increasing in both philosophy and design research, offering the possibility of the emergence of the new scholarly field of philosophy of design. The first steps towards this possibility have been made by work by individual authors and with volumes containing reflective research on design. With thisnew edited volume we plan to make a further step by bringing together essays that survey philosophy of design either through research papers on specific topics or by explorations of issues this field could or should take up.

Given the past naturalistic and empirical turns in philosophy, outcomes and practices in design research can immediate inform philosophy of design, and philosophy heritage can strongly fertilize design practices and design research models. For facilitating this process, the volume is planned to also include essays co-authored by design researchers and philosophers.

All topics in the large range of design disciplines are welcome, e.g., topics in the applied arts, industrial design, engineering design and all new types of design practices (ecodesign, user-centered design, interaction design, UX design, service design, design thinking, social design…).


We therefore solicit:
• proposals for research papers on topics within philosophy of design
• candidates from design research and philosophy for co-authoring papers
Responses to the call for co-authoring will be used to create and propose matching pairs of design researchers and philosophers for co-authoring contributions to the volumes.

Topics for papers could be but are not restricted to:
• phenomenology of design: the use of hermeneutics in design processes and in design projects considered as lived experiences
• epistemology of design: the specificity of design research as compared to scientific research or considered as a new kind of scientific research
• ethics of design and responsible innovation
• design knowledge and ‘designerly ways of knowing’
• esthetics of/in design
• modelling and mapping design processes
• validation of design research

Important dates:
• June 2015, 1st: abstracts (500 words)
• December 2015, 1st: full papers (between 6000 and 12000 words)
• February 2016, 1st: decisions and feedback to authors
• March 2016, 1st: revised papers
• April 2016, 1st: submission to reviewers
• June 2016, 1st : reviewers feedback
• July 2016, 1st: final revised papers
• September 2016: release

Abstracts must be sent to:
• Pieter Vermaas, Delft University of Technology,
• Stéphane Vial, University of Nîmes / Sorbonne Paris 1 University,

Race and Aesthetics [call for papers]

A British Society of Aesthetics Connections Conference
May 19th and 20th, 2015 – Leeds, UK


Nearly 100 years ago, the two founding giants of the academic field that became philosophy of race—W.E.B. Du Bois and Alain Locke—debated the proper social and artistic conception of black aesthetics. Since then, there has been impressive growth in both philosophy of race and philosophical aesthetics. Unfortunately, the advances in each of these philosophical fields seemed to have gone unnoticed by the other (with a few exceptions). Our aim with this conference is to reunite philosophy of race and philosophical aesthetics. 

To return the spirit of Du Bois and Locke to contemporary discourse, we have invited philosophers who tackle philosophical problems related to race from diverse perspectives and philosophical aestheticians with demonstrated interest in race. We have chosen three intersections between race and aesthetics to focus on: psychology, politics, and methods.

Race, Psychology, and Aesthetics

Both philosophy of race and philosophical aesthetics are now increasingly connected to sciences of the mind. For example, aesthetic concerns have been central to a substantial literature on imagination, and racial concerns have been central to a substantial literature on implicit biases. Yet, there has been little dialogue between the fields regarding these psychological mechanisms. For this conference, we propose to explore questions such as:

  • Are there implicit racial biases that affect assessments of aesthetic virtues, such as creativity? What is the significance of such biases for philosophical assessments of aesthetic evaluation?
  • Are imagination, empathy, and engagement with artistic representations effective methods for reducing or eliminating structural racial inequalities?
  • Does racial oppression function via aesthetic psychological mechanisms, such as the mechanisms that underlie our judgments of taste and attractiveness?
  • How do artworks contribute to the experience of being racialized in contemporary society? For example, how might racist tropes in artistic representations—even when they are intended as subversive—contribute to the internalizations of stereotypes that are harmful to members of subordinated racial groups?

Race, Politics, and Aesthetics

Both philosophy of race and philosophical aesthetics are now increasingly intertwined with moral and political considerations, broadly construed. For example, one of the liveliest debates in philosophical aesthetics in the last few decades concerns the legitimacy of criticizing art on ethical grounds. For this conference, we propose to explore questions such as:

  • What explains the underrepresentation and ghettoization of non-whites in the art world? Are racialized art curations—such as an exhibit that explicitly focuses on black artists only—ethically or aesthetically justified?
  • Can art projects that aim to reclaim racist tropes by using those racist tropes—such as the controversial contemporary restaging of Norway’s 1914 human zoo exhibit—ever be justified on moral or aesthetic grounds?
  • It is commonly assumed that racialized aesthetic preferences, for people and for artifacts, are immune to moral criticism because they are “merely aesthetic”. How is this assumption problematized by recent debates in philosophy of race and philosophical aesthetics?

Race, Philosophical (Self-)Conceptions, and Aesthetics

The traditional conception of philosophy is one that privileges the Western canon, dominated by white males, and marks certain areas of inquiry as “core”. This traditional approach has not only marginalized women and people of color, but also fields such as philosophy of race and philosophical aesthetics. For this conference, we propose to explore questions such as:

  • Are fields such as philosophy of race and philosophical aesthetics marginalized due to the traditional self-conception of philosophy?
  • How can the modes and topics of inquiry in philosophy of race and philosophical aesthetics together inform alternative conceptions of philosophy that allow for the flourishing of diverse intellectual projects?
  • Are there links between demographic diversity and cognitive diversity? How can philosophical studies of race and aesthetics clue us to the contours of such links, if they exist?


Alia Al-Saji (McGill University)
Nathaniel Adam Tobias C̶o̶l̶e̶m̶a̶n̶ (University College London)
Kristie Dotson (Michigan State University)
A.W. Eaton (University of Illinois – Chicago)
Sherri Irvin (University of Oklahoma)
Ron Mallon (Washington University in St Louis)
Charles W. Mills (Northwestern University)
Jennifer Saul (University of Sheffield)
Paul C. Taylor (Pennsylvania State University)

find out more…

Conference on Perception and the Arts [call for papers]

CFP: Conference on Perception and the Arts, Institute of Philosophy, London, September 16-17, 2015 (BSA Connections Conference)

Call for papers

The conceptual apparatus of philosophy of perception has been used in as diverse corners of aesthetics and philosophy of art as debates about depiction, aesthetic experiences, character engagement, our engagement with fictions, our engagement with narratives, aesthetic properties, metaphors, and so on. The aim of the conference is to provide a general framework for these ways in which philosophy of perception and aesthetics can be fruitfully combined, but, it is important to emphasize, a framework where not only aesthetics is enriched by philosophy of perception but philosophy of perception can also learn from aesthetics, making the interaction between the two sub-disciplines genuinely bidirectional. The conference is supported by a BSA Connections Conference Grant.

Confirmed speakers:

Ophelia Deroy (University of London)
Anya Farennikova (University of Bristol)
Heather Logue (University of Leeds)
Mohan Matthen (University of Toronto)
Matthew Nudds (University of Warwick)
Elisabeth Schellekens (University of Durham and University of Uppsala)
Barry Smith (University of London)
Lambert Wiesing (University of Halle)

find out more…

Aesthetics & the Embodied Mind [call for papers] · 24 August 2015 · BBK London.

Pragmatist and embodied approaches to aesthetics consider aesthetics to be the study of everything that goes into the human capacity to make and experience the bodily pre-linguistic cognitive, emotional and sensory-perceptual conditions of meaning constitution having its origins in the organic activities of living creatures and in their organism-environment transactions.

The 2nd conference on “Aesthetics and the Embodied Mind” aims at highlighting the role of the interdependent relation between emotion and cognition in the bodily mediated pre-linguistic meaning constitution in aesthetic experience and perception. It aims at doing this from an anti-dualistic point of view.

The rejection of the mind-body dualism and of the representationalist approaches to human cognition has led to recast the theoretical tenets of the relation between cognition and emotion in the process of meaning generation. It has contributed to the development of a truly enactive approach to emotions. The enactive approach to emotions has emphasized that cognition and emotions are embodied and interdependent. Accordingly, bodily events are constitutive of appraisal, both structurally and phenomenologically. Arousal needs no appraisal to be interpreted by the subject, for cognitive and emotional processes are simultaneously constrained by the global form produced by their coupling in a process of circular causality. Therefore, the emotional interpretation of a lived situation is a global state of emotion-cognition coherence. It comprises an appraisal of a situation, an affective tone, and an action plan. Emotions such as fear, joy, happiness are bodily mediated cognitive-emotional evaluations of the bodily sense-making of an adaptation to environmental factors the organism interacts with in the environment and of their viability. They allow to subjectively feel the cognitive-emotional qualitative dimension of the degree of value of our interaction with different environmental factors through the aroused lived body.

Find out more…