providing insight into the art-science discourse we build on.

Borges, J.L., Obras Completas, RBA, Barcelona, 2005.

Cubitt, S., The Practice of Light. A Genealogy of Visual Technologies from Prints to Pixels, The MIT Press, 2014.

Clarke, E; Henderson, L.D. (Eds), From Energy to Information: Representation in Science and Technology, Art, and Literature, Stanford University Press, 2002.

Daston, L. J.; Galison P., Objectivity, Zone Books, 2010. 

Galison, P., Image & Logic. A material culture of microphysics, University of Chicago Press, 1997.

Henderson, L.D., The Fourth Dimension and Non-Euclidean Geometry in Modern Art, revised ed., MIT Press, 2013.

Feynman, R. P, Six Easy Pieces, Basic Books, 1963.

Feynman, R. P, Six Not-So-Easy Pieces, Basic Books, 1963.

Jaynes, E. T., Probability Theory: The Logic of Science, Cambridge University Press, 2003.

van den Doel, W., Maes, K, Social Sciences & the Humanities: Essential Fields for European Research and in Horizon 2020, LERU Advice Paper, 2012.

Licata, I., Lo Sbaglio, lo Spazio e il Tempo. Note su arte contemporanea e matematica, Rivista Prometeo, 2015.

Malina, R., Alt.Art-Sci: We Need New Ways of Linking Arts and Sciences, 2011.

Noë, A., Strange Tools: Art and Human Nature, Hill and Wang, New York, 2015.

Nowotny, H., Dare to know, dare to tell, dare to play, 2011.

Schäffner, W., The Design Turn. Una revolución científica en el espíritu del diseño, Revista KEPES, 7, n. 6., January-December 2010, pp. 61-75.

Wilson, S., Information Arts: Intersections of Art, Science, and Technology by Stephen Wilson, MIT Press, 2002.

Wilson, S., Myths and Confusions in Thinking about Art/Science/Technology, 2000.

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