Category Archives: news

Oron Catts on “Post Promethean Art” @ JRC-EC [artist talk]

Talk at the Joint Research Centre, European Commission
Organised by the JRC SciArt project
Tuesday May 24th 2022, 12h CET

Abstract

Title:  Victimless Leather- A Prototype of Stitch-less Jacket grown in a Technoscientific "Body"
Artists: The Tissue Culture & Art (Oron Catts & Ionat Zurr)
Medium: Biodegradable polymer skin and bone cells from human and mouse
Dimension of original: variable
Date: 2004

Our relationships with the world around us;  with our bodies, with concepts of nature, life, materiality and identity are getting quite messy; there is a sense of impending crisis. The desperate technological attempts to fix things tend to maintain the extractive mindsets that caused many of the issues at hand and exuberate the confusion. To make things even more muddled, the era of post truth seems to take a toll on the ways we read and engage with different epistemologies and ways of doing things. It can be argued that in the last century we developed specific ways of reading and engaging with different disciplines and their respected epistemologies. This can be referred to as idealised social contracts, in practical in regard to the relationships with the idea of truth. This talk will explore and probe what role art that deals with emerging knowledge and technologies of life can play, within the messiness of the 21st century. To do so, it will use different interpretations to Promethean mythologies and narratives, ranging from foresight to techno-utopianism. Drawing on art projects developed at SymbioticA and elsewhere, the idea of Post Promethean Art will be suggested.

Oron Catts is the Co-Founder and Director of SymbioticA: The Centre of Excellence in Biological Arts, School of Human Sciences at the University of Western Australia (UWA). SymbioticA was awarded the inaugural Golden Nica for Hybrid Arts in the Prix Ars Electronica in 2007, and the WA Premier’s Award in 2008. In 1996 he founded the Tissue Culture & Art Project with Ionat Zurr. Catts was a Professor at Large in Contestable Design at the Royal College for the Arts UK, a visiting Scholar at the Department of Art and Art History, Stanford University and a Visiting Professor at the School of Art, Design and Architecture, Aalto University, Helsinki. Catts curated thirteen exhibitions, published/co-edited four books, published more than eighty book chapters and journal articles. His art projects featured in venues such MoMA NY, Centre Pompidou, Mori art Museum, Science Gallery London and Dublin, Yerba Buena Center for the Arts, Ars Electronica, National Art Museum of China, and more.

This talk will be held in person at the JRC in Ispra, and live-streamed via WEBEX. The talk is accessible to externals.

To register for this talk and access connection details please write to caterina.benincasa@ec.europa.eu

Image:
Title:  Victimless Leather- A Prototype of Stitch-less Jacket grown in a Technoscientific “Body”
Artists: The Tissue Culture & Art (Oron Catts & Ionat Zurr)
Medium: Biodegradable polymer skin and bone cells from human and mouse
Dimension of original: variable
Date: 2004

[Opportunity] Open Call for Artists · JRC SciArt Summer School 2022

Alexandra Arènes: The Thickness of the Critical Zone at the Planetary Scale, 2019 – in: Bruno Latour Peter Weibel, Critical Zones, The Sience and Politics of Landing Earth, Karlsruhe – Cambridge MA, 2020. ©Alexandra Arènes

The Open Call for Expression of Interest for the next JRC SciArt Summer School has been published!

As a melting pot of perspectives and disciplinary backgrounds, the Summer School will be a fertile ground for fermenting ideas on the theme of NaturArchy: Towards a Natural Contract. The programme reaches out to artists exploring the rich lands between art and science, whose work engages diverse audiences, and who show strong interest in scientific inquiry. Artists across creative disciplines, countries, and at any stage of their career are invited to submit an application. 

The Summer School offers up to 20 payed positions to visit and explore the JRC in June 2022. More information about NaturArchy + link to apply are available hereunder.

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“Artists across creative disciplines, countries and at any stage of their career are invited to submit an application to participate in the Resonances IV Summer School.

As a melting pot of perspectives and disciplines, the Summer School will be a fertile ground for fermenting ideas on the theme of NaturArchy: Towards a Natural Contract.

The programme reaches out to artists producing work in the rich lands between art and science, whose work engages diverse audiences, and who show strong interest in scientific inquiry.”

Apply online by 15 Feb 2022 via the JRC website: https://ec.europa.eu/jrc/en/event/other-event/resonances-iv-sciart-summer-school

Picturing The Body In The Laboratory [conference] // Berlin, 6-7 Nov 2015

Genesis and topicality of evidence-oriented imaging in institutions of the long 19th century and today

6-7 November 2015
Humboldt University, Berlin
Image Knowledge Gestaltung, Interdisciplinary Laboratory,
Sophienstr. 22a

“Our aim is to investigate the particular role of the image in evidence production around 1900 in order to sharpen our understanding of the ground laying concepts for today’s epistemic role, limitations as well as of the convenience of laboratory work. Specifically we want to know: what is it exactly that makes the image so attractive around 1900? What can the image do that the word cannot? And does this also apply to the images described that cannot lay claim to any kind of material evidence in the form of a trace? Is there a particular obstinacy in these evidence-oriented images in terms of the Bildakt? Are these images »actors« in a way that is specific to this kind of image (Mitchell 2006)?

One of our particular focuses of interest is the role played by the technical means of producing the traces or images. What are the implications of the technology that developed at this time for evidence orientation? Do we find similar – or which other – principles at work in laboratory evidence technologies in the 21st century? What higher-order similarities does a transdisciplinary examination of different media reveal?”

…find out more


 

CONFERENCE PROGRAMME

Cultural history of science on traces of the body in the lab around 1900

10.00 Registration, Welcome address & Coffee

10.30 Keynote Barbara Orland (University of Basel)
Seeing the Building Blocks of the Human Body. The Biopolitics of Microphotography 1840–1870

11.30 Short Coffee Break

Panel 1

moderator: Ann-Cathrin Drews (HU Berlin/Image Knowledge Gestaltung)

11.40 Bettina Bock von Wülfingen (HU Berlin/Image Knowledge Gestaltung)
The New Cell Staining Techniques since the 1870s and their Role in Conceiving Sex/Gender in the Cell

12.20 Marietta Kesting (HU Berlin/Image Knowledge Gestaltung)
Creating Photographic Identification

13.00       Lunch

14.00 RESUMÉ 1

Panel 2

moderator: Mark-Oliver Casper (HU Berlin/Image Knowledge Gestaltung)

14.30 Sophia Kunze (HU Berlin/Image Knowledge Gestaltung)
Necessary Reduction of Complexity or Dubious Essentialisation? Reception of Natural Scientific Knowledge in the History of Arts

15.10 Wolfgang Schäffner (HU Berlin/Image Knowledge Gestaltung)
Schreber’s Evidence

15.50 Bettina Uppenkamp (Dresden University/Image Knowledge Gestaltung)
Evidence and Identification. On the History of the Fingerprint

16.30RESUMÉ 2

17.00 Finish
Organisational remarks. Snacks and nibbles and move to
> Lecture Hall 2094, Main Building, Unter den Linden 6

19.00 Keynote Peter Galison (Harvard University)
The Conviction of Scientific Images

Natural Sciences and Laboratory Traces Today

> Humboldt-Universität zu Berlin, Main Building, Seminar Room 2093,  Unter den Linden 6

9.30    Welcome Coffee

10.00Keynote Soraya de Chadarevian (UCLA)
»It is not enough, in order to understand the Book of Nature, to turn over the pages looking at the pictures. Painful though it may be, it will be necessary to learn to read the text.«
Visual Evidence in the Life Sciences, c.1960

Panel 3

moderator: Kathrin Friedrich (HU Berlin/Image Knowledge Gestaltung)

11.00 John Nyakatura (HU Berlin/Image Knowledge Gestaltung)
Trace, Experiment, Inference: Images and the Generation of Knowledge in Paleobiology

11.40 Anelis Kaiser (University of Bern)
Sex/Gender in the Brain: From Voxels to Knowledge

12.20 Thomas Stach (HU Berlin/Image Knowledge Gestaltung)
Traces, Data, Facts: How Morphology Generates Evidence

13.00 Lunch

14.00 RESUMÉ 3

Panel 4

moderator: Markus Rautzenberg (FU Berlin, mecs Lüneburg)

14.30 Dieter Weiss (University of Rostock)
Superresolution Microscopy and the Discovery of Nano-Machines in Living Cells

15.10 Anne Dippel (HU Berlin/Image Knowledge Gestaltung, FSU Jena, Leuphana Lüneburg),
Lukas Mairhofer
(University of Vienna)
Believing the Pattern. A conversation on Traces in Physics

16.30 RESUMÉ 4
Coffee and Goodbye
(brief organisational authors meeting)

[download programme]