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Oron Catts on “Post Promethean Art” @ JRC-EC [artist talk]

Talk at the Joint Research Centre, European Commission
Organised by the JRC SciArt project
Tuesday May 24th 2022, 12h CET

Abstract

Title:  Victimless Leather- A Prototype of Stitch-less Jacket grown in a Technoscientific "Body"
Artists: The Tissue Culture & Art (Oron Catts & Ionat Zurr)
Medium: Biodegradable polymer skin and bone cells from human and mouse
Dimension of original: variable
Date: 2004

Our relationships with the world around us;  with our bodies, with concepts of nature, life, materiality and identity are getting quite messy; there is a sense of impending crisis. The desperate technological attempts to fix things tend to maintain the extractive mindsets that caused many of the issues at hand and exuberate the confusion. To make things even more muddled, the era of post truth seems to take a toll on the ways we read and engage with different epistemologies and ways of doing things. It can be argued that in the last century we developed specific ways of reading and engaging with different disciplines and their respected epistemologies. This can be referred to as idealised social contracts, in practical in regard to the relationships with the idea of truth. This talk will explore and probe what role art that deals with emerging knowledge and technologies of life can play, within the messiness of the 21st century. To do so, it will use different interpretations to Promethean mythologies and narratives, ranging from foresight to techno-utopianism. Drawing on art projects developed at SymbioticA and elsewhere, the idea of Post Promethean Art will be suggested.

Oron Catts is the Co-Founder and Director of SymbioticA: The Centre of Excellence in Biological Arts, School of Human Sciences at the University of Western Australia (UWA). SymbioticA was awarded the inaugural Golden Nica for Hybrid Arts in the Prix Ars Electronica in 2007, and the WA Premier’s Award in 2008. In 1996 he founded the Tissue Culture & Art Project with Ionat Zurr. Catts was a Professor at Large in Contestable Design at the Royal College for the Arts UK, a visiting Scholar at the Department of Art and Art History, Stanford University and a Visiting Professor at the School of Art, Design and Architecture, Aalto University, Helsinki. Catts curated thirteen exhibitions, published/co-edited four books, published more than eighty book chapters and journal articles. His art projects featured in venues such MoMA NY, Centre Pompidou, Mori art Museum, Science Gallery London and Dublin, Yerba Buena Center for the Arts, Ars Electronica, National Art Museum of China, and more.

This talk will be held in person at the JRC in Ispra, and live-streamed via WEBEX. The talk is accessible to externals.

To register for this talk and access connection details please write to caterina.benincasa@ec.europa.eu

Image:
Title:  Victimless Leather- A Prototype of Stitch-less Jacket grown in a Technoscientific “Body”
Artists: The Tissue Culture & Art (Oron Catts & Ionat Zurr)
Medium: Biodegradable polymer skin and bone cells from human and mouse
Dimension of original: variable
Date: 2004

[Online Talk] Who is Afraid of Artificial Intelligence? Posthumanism, Technology and Society (20/01/22)

The JRC SciArt project, in collaboration with the European School of Administration, has organised a series of lunch time talks on Changing the Ground.

Join us on 20 January 2022, 12:30-14h CET. Award winning philosopher Francesca Ferrando will discuss about how posthuman philosophy conceptualises humans as part of a planet, nets of ecological and technological emergencies and expressions of cosmic phenomena. This will be a journey of self-inquiry and self-discovery: into technology, into society, and most importantly, into ourselves…

Online talk JRC SciArt Cycle: Who is Afraid of Artificial Intelligence? Posthumanism, Technology and Society

Date: 20/01/2022, 12h30 – 14h00

In the 21st century, a spectre is haunting humans – the spectre of technology. From algorithmic predestination to internet addiction, from the technosphere to super-intelligent AI: technology is here to stay. This realization is not a neutral statement, nor does this entail an uncritical acceptance of the ways these technologies are being actualized. Instead, it is a wake-up call to be aware of where we are at – as individuals, as a society, and as a species. We can no longer think of technology in separation from humanity and ecology; its material production has to be taken into consideration as well. In order to understand technology in the era of the Anthropocene, we need a radical change in people’s world-views. Anthropocentric and human-centric values that are still ingrained in many societies, in and outside of Europe, are serious obstacles towards this shift, which is urgently needed in the rise of global catastrophes. 

In this talk, we will approach the human condition through the philosophies of posthumanism, by addressing humans as part of a planet, nets of ecological and technological emergencies, expressions of cosmic phenomena. We will understand together how each of us can help in tracing new horizons. This will be a journey of self-inquiry and self-discovery: into technology, into society, and most importantly, into ourselves…

If you would like to register for the talk, please send us an email at caterina.benincasa@ec.europa.eu

[Opportunity] Open Call for Artists · JRC SciArt Summer School 2022

Alexandra Arènes: The Thickness of the Critical Zone at the Planetary Scale, 2019 – in: Bruno Latour Peter Weibel, Critical Zones, The Sience and Politics of Landing Earth, Karlsruhe – Cambridge MA, 2020. ©Alexandra Arènes

The Open Call for Expression of Interest for the next JRC SciArt Summer School has been published!

As a melting pot of perspectives and disciplinary backgrounds, the Summer School will be a fertile ground for fermenting ideas on the theme of NaturArchy: Towards a Natural Contract. The programme reaches out to artists exploring the rich lands between art and science, whose work engages diverse audiences, and who show strong interest in scientific inquiry. Artists across creative disciplines, countries, and at any stage of their career are invited to submit an application. 

The Summer School offers up to 20 payed positions to visit and explore the JRC in June 2022. More information about NaturArchy + link to apply are available hereunder.

_____________________________________________________________________________________________

“Artists across creative disciplines, countries and at any stage of their career are invited to submit an application to participate in the Resonances IV Summer School.

As a melting pot of perspectives and disciplines, the Summer School will be a fertile ground for fermenting ideas on the theme of NaturArchy: Towards a Natural Contract.

The programme reaches out to artists producing work in the rich lands between art and science, whose work engages diverse audiences, and who show strong interest in scientific inquiry.”

Apply online by 15 Feb 2022 via the JRC website: https://ec.europa.eu/jrc/en/event/other-event/resonances-iv-sciart-summer-school

[Book release] New Innovate Heritage Publication available

CULTURAL COMMONS & URBAN DYNAMICS

JOIN US for the online presentation of the book that will take place TODAY, December 3rd, 5 p.m. CET, on google.meet 

We are delighted to announce the publication of “Cultural Commons & Urban Dynamics: A Multidisciplinary Perspective“. The book results from a series of talks and encounters that took place at the Innovate Heritage 2019 international symposium and artistic event hosted by the Department of Law, Economics and Sociology at the University of Catanzaro (Italy), 11-12 October 2019.

Today, cities are being intensively reshaped by unexpected dynamics. The rise and growth of the digital economy have fundamentally changed the relationship between the urban fabric and its resident community, overcoming the conventional hierarchy based on production priorities. Moreover, contemporary society discovers new labour conditions and ways of satisfying needs and desires by developing new synergies and links.This book examines cultural and urban commons from a multidisciplinary perspective. Economists, architects, urban planners, sociologists, designers, political scientists, and artists explore the impact and implications of cultural commons on urban change. The contributions discuss both cases of successful urban participation and cases of strong social conflict, while also addressing a host of institutional contradictions and dilemmas. The first part of the book examines urban commons in response to institutional constraints from a theoretical point of view. The second and third parts apply the theories to case studies and discuss various practices of sustainable planning and re-appropriation in the urban context. In closing, the fourth part develops a new urban agenda as artists imagine it. This book will appeal to scholars interested in the social, economic and institutional implications of cultural and urban commons, and provide useful insights and tools to help local governments and policymakers manage social, cultural and economic change.

You can get your copy of the book here

A massive thank you to the editors Emanuela MacrìValeria Morea and Michele Trimarchi for making this publication happen.

Hope to see you online later TODAY!

Follow the book presentation event on facebook

Innovate Heritage is an ongoing project initiated in 2013 by Polyhedra together with Oriental Heritage Without Borders.

The project counts on the support of the German Commission for UNESCO, the UNESCO Chair in Heritage Studies at BTU Cottbus-Senftenberg, the Prussian Cultural Foundation, ZK/U Centre for Art & Urbanistics in Berlin, and many more local and international initiatives and organisations in the artistic, academic and heritage sectors. 

[Network] ICT & Arts @ SERN

ICT & Arts is playing an important role in the StartUp Europe Region Network (SERN) – a network of regions dedicated to scaling up startup support. It is mentioned as one of the thematic activities of the Interreg Europe project, which intends to capitalize and seek inspiration on the current art-science-technology programs to explore their transfer at regional level.

Find out more: SERN ICT & Arts

Creativity and the involvement of society play a major role in innovation processes. Promoting initiatives intersecting Art-Science-Technology contribute to competitiveness, sustainability and social inclusion. But how, exactly, are these achieved? There’s a need to articulate this further and contextualise. Polyhedra.eu offers a space to discuss these issues and more…

[Advice Paper] SSH: Essential Fields for European Research & in Horizon 2020

Advice Paper No.11 – June 2012
League of European Research Universities

Wim van den Doel (Universiteit Leiden)
Katrien Maes (LERU Office)

We live in a rapidly changing world, which requires European societies to stay focused, to be innovative and to think critically. In this paper, LERU emphasises the importance of Social Sciences and Humanities (SSH) disciplines and the interconnectedness of knowledge to this story: they are of vital importance to the future of Europe. Throughout the paper, LERU examines six (probably to become seven) Horizon 2020 societal challenges, explaining e.g. how SSH research is relevant to each of them. LERU also proposes various recommendations to stimulate SSH research in Horizon 2020, such as the establishment of a European SSH Platform and the support of e.g. the ERC and Marie Curie programmes.

Download the report:
https://www.kowi.de/Portaldata/2/Resources/horizon2020/LERU-AP-11-SSH-Essential-fields.pdf

[Book] Creating ArtScience Collaboration. Bringing Value to Organizations.

Insightful book about artscience collaborations by Claudia Schnugg, researcher and advocate of artscience collaboration, and a producer and curator of residency programs.

Abstract: How can artist-scientist collaboration be of value to science and technology organizations? This innovative book is one of the first to address this question and the emerging field of art-science collaboration through an organizational and managerial lens. With extensive experience collaborating with and advising institutions to develop artist in residency programs, the author highlights how art-science collaboration is such a powerful opportunity for forward-thinking consultants, managers and institutions. Using real-life examples alongside cutting edge research, this book presents a number of cases where these interactions have fostered creativity and led to heightened innovation and value for organizations. As well as creating a blueprint for successful partnerships it provides insights into the managerial and practical issues when creating art-science programs. Invaluable to scholars and practitioners interested in the potential of art-science collaboration, the reader will be shown how to take an innovative approach to creativity in their organization or research, and the ways in which art-science collaborations can mutually benefit artists, scientists and companies alike.

Find out more @ https://www.palgrave.com/gp/book/9783030045487#aboutAuthors

Vittorio Gallese: Art, brain and human nature

Art, brain and human nature: what can we know about ourselves?

Discussion with neuroscientist and Einstein Visiting Fellow Vittorio Gallese, novelist and essayist Siri Hustvedt, and philosopher and moderator Gert Scobel. 04 June 2018, 7 pm

What is the mind? This fundamental question remains unanswered in philosophy and science. Is the mind part of the body or is it something separate from it? Are the brain and the mind the same thing? Can the mind be disembodied into an algorithm and then realized in a machine? If the brain is the key to mind and consciousness, how much do we actually know about the brain and what does it have to do with “the self“? Why does art matter? Why do we tell stories? What is the relationship between art and science? Is configuring the mind a feminist issue? And: Why are all these questions urgent at this particular moment in culture?

Continue reading

Agnes Meyer-Brandis and duo Otavio Schipper/Sergio Krakowski first KLAS Artists-in-Residence

Agnes Meyer-Brandis (Germany) and the duo Otavio Schipper and Sergio Krakowski (Brazil) have been selected to participate in the artist-in-residence program KLAS

 

Within KLAS – “Knowledge Link through Art and Science” – the Max Planck Institutes of Colloids and Interfaces and Molecular Plant Physiology invite for the first time contemporary artists to develop their own project at the Potsdam-Golm Science Park (Germany) and the University of Groningen (The Netherlands). In the course of this eight month pioneering project, artists will work side by side with researchers in order to develop a new artwork bridging contemporary art practices and scientific research.

Agnes_OtavioSergio

more: klas.mpikg.mpg.de/2017/meyer-brandis-schipper-krakowski-first-klas-awardees/