Category Archives: Uncategorized

[Book] Creating ArtScience Collaboration. Bringing Value to Organizations.

Insightful book about artscience collaborations by Claudia Schnugg, researcher and advocate of artscience collaboration, and a producer and curator of residency programs.

Abstract: How can artist-scientist collaboration be of value to science and technology organizations? This innovative book is one of the first to address this question and the emerging field of art-science collaboration through an organizational and managerial lens. With extensive experience collaborating with and advising institutions to develop artist in residency programs, the author highlights how art-science collaboration is such a powerful opportunity for forward-thinking consultants, managers and institutions. Using real-life examples alongside cutting edge research, this book presents a number of cases where these interactions have fostered creativity and led to heightened innovation and value for organizations. As well as creating a blueprint for successful partnerships it provides insights into the managerial and practical issues when creating art-science programs. Invaluable to scholars and practitioners interested in the potential of art-science collaboration, the reader will be shown how to take an innovative approach to creativity in their organization or research, and the ways in which art-science collaborations can mutually benefit artists, scientists and companies alike.

Find out more @ https://www.palgrave.com/gp/book/9783030045487#aboutAuthors

Vittorio Gallese: Art, brain and human nature

Art, brain and human nature: what can we know about ourselves?

Discussion with neuroscientist and Einstein Visiting Fellow Vittorio Gallese, novelist and essayist Siri Hustvedt, and philosopher and moderator Gert Scobel. 04 June 2018, 7 pm

What is the mind? This fundamental question remains unanswered in philosophy and science. Is the mind part of the body or is it something separate from it? Are the brain and the mind the same thing? Can the mind be disembodied into an algorithm and then realized in a machine? If the brain is the key to mind and consciousness, how much do we actually know about the brain and what does it have to do with “the self“? Why does art matter? Why do we tell stories? What is the relationship between art and science? Is configuring the mind a feminist issue? And: Why are all these questions urgent at this particular moment in culture?

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Agnes Meyer-Brandis and duo Otavio Schipper/Sergio Krakowski first KLAS Artists-in-Residence

Agnes Meyer-Brandis (Germany) and the duo Otavio Schipper and Sergio Krakowski (Brazil) have been selected to participate in the artist-in-residence program KLAS

 

Within KLAS – “Knowledge Link through Art and Science” – the Max Planck Institutes of Colloids and Interfaces and Molecular Plant Physiology invite for the first time contemporary artists to develop their own project at the Potsdam-Golm Science Park (Germany) and the University of Groningen (The Netherlands). In the course of this eight month pioneering project, artists will work side by side with researchers in order to develop a new artwork bridging contemporary art practices and scientific research.

Agnes_OtavioSergio

more: klas.mpikg.mpg.de/2017/meyer-brandis-schipper-krakowski-first-klas-awardees/

[Conference + Art] Innovate Heritage “Art & The City”

Innovate Heritage 2016 „Art & The City: New Cultural Maps“

27th-28th of October 2016 at the School of Architecture, Mediterranea University.

Polyhedra is proud to present its project with the Università degli Studi Mediterranea di Reggio Calabria: the first satellite edition of Innovate Heritage!

ih-2016-programme-1

The two-day workshop „Art & The City: New Cultural Maps“ explores intuitions, approaches, views and actions from different perspectives and cultures, facing questions and dilemmas related to heritage management and governance in multi-cultural urban and metropolitan frameworks.

The discussion will focus upon the radical change affecting society and the economy, and transforming the cultural paradigm from a competitive and dimensional struggle into a participative and synergic challenge, with new needs to cross-fertilise tradition and innovation.

Economists, urbanists, jurists, architects, philosophers and artists will perform an intensive and nonprejudicial exchange aimed at crafting sharp questions and drawing credible trails to our future, in the awareness of the growing importance of art and culture in social dynamics.

download the programme
The event will be filmed and videos soon available!

If you would like to host a satellite edition of Innovate Heritage, please get in contact at a.c.polyhedra@gmail.com

Picturing The Body In The Laboratory [conference] // Berlin, 6-7 Nov 2015

Genesis and topicality of evidence-oriented imaging in institutions of the long 19th century and today

6-7 November 2015
Humboldt University, Berlin
Image Knowledge Gestaltung, Interdisciplinary Laboratory,
Sophienstr. 22a

“Our aim is to investigate the particular role of the image in evidence production around 1900 in order to sharpen our understanding of the ground laying concepts for today’s epistemic role, limitations as well as of the convenience of laboratory work. Specifically we want to know: what is it exactly that makes the image so attractive around 1900? What can the image do that the word cannot? And does this also apply to the images described that cannot lay claim to any kind of material evidence in the form of a trace? Is there a particular obstinacy in these evidence-oriented images in terms of the Bildakt? Are these images »actors« in a way that is specific to this kind of image (Mitchell 2006)?

One of our particular focuses of interest is the role played by the technical means of producing the traces or images. What are the implications of the technology that developed at this time for evidence orientation? Do we find similar – or which other – principles at work in laboratory evidence technologies in the 21st century? What higher-order similarities does a transdisciplinary examination of different media reveal?”

…find out more


 

CONFERENCE PROGRAMME

Cultural history of science on traces of the body in the lab around 1900

10.00 Registration, Welcome address & Coffee

10.30 Keynote Barbara Orland (University of Basel)
Seeing the Building Blocks of the Human Body. The Biopolitics of Microphotography 1840–1870

11.30 Short Coffee Break

Panel 1

moderator: Ann-Cathrin Drews (HU Berlin/Image Knowledge Gestaltung)

11.40 Bettina Bock von Wülfingen (HU Berlin/Image Knowledge Gestaltung)
The New Cell Staining Techniques since the 1870s and their Role in Conceiving Sex/Gender in the Cell

12.20 Marietta Kesting (HU Berlin/Image Knowledge Gestaltung)
Creating Photographic Identification

13.00       Lunch

14.00 RESUMÉ 1

Panel 2

moderator: Mark-Oliver Casper (HU Berlin/Image Knowledge Gestaltung)

14.30 Sophia Kunze (HU Berlin/Image Knowledge Gestaltung)
Necessary Reduction of Complexity or Dubious Essentialisation? Reception of Natural Scientific Knowledge in the History of Arts

15.10 Wolfgang Schäffner (HU Berlin/Image Knowledge Gestaltung)
Schreber’s Evidence

15.50 Bettina Uppenkamp (Dresden University/Image Knowledge Gestaltung)
Evidence and Identification. On the History of the Fingerprint

16.30RESUMÉ 2

17.00 Finish
Organisational remarks. Snacks and nibbles and move to
> Lecture Hall 2094, Main Building, Unter den Linden 6

19.00 Keynote Peter Galison (Harvard University)
The Conviction of Scientific Images

Natural Sciences and Laboratory Traces Today

> Humboldt-Universität zu Berlin, Main Building, Seminar Room 2093,  Unter den Linden 6

9.30    Welcome Coffee

10.00Keynote Soraya de Chadarevian (UCLA)
»It is not enough, in order to understand the Book of Nature, to turn over the pages looking at the pictures. Painful though it may be, it will be necessary to learn to read the text.«
Visual Evidence in the Life Sciences, c.1960

Panel 3

moderator: Kathrin Friedrich (HU Berlin/Image Knowledge Gestaltung)

11.00 John Nyakatura (HU Berlin/Image Knowledge Gestaltung)
Trace, Experiment, Inference: Images and the Generation of Knowledge in Paleobiology

11.40 Anelis Kaiser (University of Bern)
Sex/Gender in the Brain: From Voxels to Knowledge

12.20 Thomas Stach (HU Berlin/Image Knowledge Gestaltung)
Traces, Data, Facts: How Morphology Generates Evidence

13.00 Lunch

14.00 RESUMÉ 3

Panel 4

moderator: Markus Rautzenberg (FU Berlin, mecs Lüneburg)

14.30 Dieter Weiss (University of Rostock)
Superresolution Microscopy and the Discovery of Nano-Machines in Living Cells

15.10 Anne Dippel (HU Berlin/Image Knowledge Gestaltung, FSU Jena, Leuphana Lüneburg),
Lukas Mairhofer
(University of Vienna)
Believing the Pattern. A conversation on Traces in Physics

16.30 RESUMÉ 4
Coffee and Goodbye
(brief organisational authors meeting)

[download programme]

 

There has been much recent interest in the suggestion that quantum mechanics might be better understood in terms of its causal structure. Novel formalism has provided a new perspective on the discrepancy between the causal structure of the classical and quantum worlds.

This conference brings together both physicists and philosophers with an interest in exploring the consequences of this new approach to causality in a quantum world. The conference is part of the research project The Causal Power of Information in a Quantum World.

The project investigates the theses that physically embodied information acquires causal power in the effective operation of intelligent agents, either natural or artificial, and that new kinds of causal relations will naturally arise when information and control is embodied in quantum systems.

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If you wish to attend, please fill out the registration form no later than July 31 2015. Speakers do not need to fill this form.

SCIENTIFIC COMMITTEE

Gerard Milburn, Phil Dowe, Andrew White, Matt Farr, Peter Evans, Alessandro Fedrizzi, Fabio Costa, Christina Giarmatzi, Sally Shrapnel.

Exhibition Opening · Matteo Bultrini · Studio Polyhedra, Rome

MATTEO BULTRINI. NELLO SPECCHIO DEL COLORE [On Facing Colour]

Studio Polyhedra, Roma · 23 – 31 maggio 2015
Inaugurazione: Sabato 23 maggio 2015, ore 19:00

Matteo Bultrini (Roma, 1979) è uno dei più promettenti e influenti artisti italiani nel panorama pittorico del momento. Le molteplici ricerche sul colore del XX secolo trovano nella sua opera il loro punto di confluenza estrema. Anche se il suo tragitto è autonomo, il suo lavoro oscilla tra le grandi polle cromatiche di Serge Poliakoff e le raffinate e aristocratiche trame di luce di Victor Pasmore: una ricerca che racconta, come in un poema, l’alfabeto del colore, una lettera di luce.

A cura del Prof. Carmine Benincasa, ‘Nello Specchio del Colore’ (23 – 31 maggio) raccoglie 30 opere rappresentative della ricerca dell’artista in quest’ultimo triennio.

La mostra inaugura la prima stagione artistica di Studio Polyhedra – il nuovo spazio espositivo di Polyhedra, organizzazione impegnata nella sinossi comparata tra arte e scienza e finalizzata alla ricerca artistica e contemporanea.

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Exhibition Opening · Matteo Bultrini · Studio Polyhedra, Rome

MATTEO BULTRINI. NELLO SPECCHIO DEL COLORE [On Facing Colour]

Studio Polyhedra, Roma · 23 – 31 maggio 2015
Inaugurazione: Sabato 23 maggio 2015, ore 19:00

Matteo Bultrini - Epifania

 

 

 

 

 

Matteo Bultrini (Roma, 1979) è uno dei più promettenti e influenti artisti italiani nel panorama pittorico del momento. Le molteplici ricerche sul colore del XX secolo trovano nella sua opera il loro punto di confluenza estrema. Anche se il suo tragitto è autonomo, il suo lavoro oscilla tra le grandi polle cromatiche di Serge Poliakoff e le raffinate e aristocratiche trame di luce di Victor Pasmore: una ricerca che racconta, come in un poema, l’alfabeto del colore, una lettera di luce.

A cura del Prof. Carmine Benincasa, ‘Nello Specchio del Colore’ (23 – 31 maggio) raccoglie 30 opere rappresentative della ricerca dell’artista in quest’ultimo triennio.

La mostra inaugura la prima stagione artistica di Studio Polyhedra – il nuovo spazio espositivo di Polyhedra, organizzazione impegnata nella sinossi comparata tra arte e scienza e finalizzata alla ricerca artistica e contemporanea.

 

find out more