Author Archives: polyhedra

About polyhedra

Polyhedra is a non-profit cultural association for cross-disciplinary research and activities in art and science fostering ‘face to face’ encounters between the arts, sciences and humanities.

Ludwig Boltzmann: on nature

We are please to share here this post in regard to a book on Boltzmann’s philosophical writings, gifted to us not so long ago, curated by the great intellectual Prof. F. Ordoñez (UAM). The following quote, repeated quite often by Boltzmann in his conferences, touched us profoundly:

“Señoras y señores, es mi tarea en el presente curso de conferencias ofrecerles a ustedes muchas cosas; intricados teoremas, conceptos ultrarefinados y complicadas pruebas. Perdónenme si hasta ahora no les he ofrecido algo de esto. Todavía no he definido, como habría sido conveniente, el concepto de mi ciencia, esto es, la física teórica, ni he desarrollado el plan según el cual intento tratar esta materia en estas conferencias. Hoy no quise presentar todo esto a ustedes; creo que más tarde, en el transcurso de nuestro trabajo, podremos aclarar mejor estas cosas. Hoy simplemente quise presentar algo más sencillo, aunque para mí esto resulta ser todo lo que tengo, es decir, yo mismo y toda mi forma de pensar y sentir.

Del mismo modo, durante estas conferencias tendré que pedirles muchas cosas: atención concentrada, incesante diligencia y trabajo incansable. Perdónenme, por lo tanto, si antes de embarcarme en uno de estos temas les pido a cambio algo que es lo más importante para mí, es decir, su confianza, afecto y amor; en una palabra, lo más precioso que pueden dar, es decir, ustedes mismos.”

Ludwig Boltzmann, "Una conferencia inaugural de la naturaleza", 1903. 
In: Boltzmann, L., Escritos de mecánica y termodinámica, Alianza Editorial, 
traducción e introducción por Francisco J. Odón Ordoñez.

[bio]

To understand who was Ludwig Boltzmann, it is useful to note two descriptions reported at the beginning of Broda’s famous book, Ludwig Boltzmann: Man, Physicist, Philosopher. (i) In J. Bronowski’s electric view of human thought The Ascent of Man, Ludwig Boltzmann is praised in the following words: “And yet one man, at the critical turn of the century, stood up for the reality of atoms on fundamental grounds of theory. He was Ludwig Boltzmann, at whose memorial I pay homage. Boltzmann was irascible, extraordinary, difficult man, an early follower of Darwin, quarrelsome and delightful, and everything that a human being should be.” (ii) Paul Feyerabend notes in the Encyclopedia of Philosophy: “In his realization of the hypothetical character of all our knowledge, Boltzmann was far ahead of his time and perhaps even our time.

Born in Vienna on February 20, 1844. Earned his physics PhD degree in 1866 at the University of Vienna.

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Known as both a physicist and philosopher, Ludwig Boltzmann is best known for his contributions to atomistic theories and the development of statistical mechanics. Although he did not consider himself a philosopher and was critical of philosophy as a science, late in his career he did contribute to the realm of philosophy within natural science and even lectured in some philosophy classes at the University of Vienna. He received his doctorate in 1866 and in 1869 was appointed to the chair of theoretical physics at the University of Graz. His restlessness and impassioned temperament led him to move many times throughout his career. He went to the University of Vienna in 1873 as the chair of mathematics, but would return to Graz in 1876 to marry Henriette von Aigentler, a woman he had met during his first service in 1869. His position in Graz came only after a highly controversial contest between himself and Ernst Mach. After successfully gaining the position he stayed a number of years before taking the position of Professor of Theoretical Physics at the University of Munich in 1890. After only four years though, he returned to Vienna as chair of theoretical physics. It was here that his relationship with Ernst Mach became further strained, as the men had both personal and professional differences that Boltzmann could not handle. He left for Leipzig in 1900, but once again professional rivals would bring him back to Vienna.

As an avid atomist, Boltzmann’s fervent belief in his work led him into many heated debates with his colleagues. In Leipzig, Boltzmann had many passionate arguments with fellow professor Wilhelm Ostweld, an energist. Although Boltzmann was able to successfully defend his atomistic position, the strain of this rivalry led to his attempted suicide. Therefore, when Mach left his post at Vienna in 1901, Boltzmann was able to return to Vienna with hopes of a less strained tenure. It was at this time that his interest in philosophy began to take form. Boltzmann’s philosophy is difficult to pinpoint or define, due in part to his reluctance to accept philosophy as a legitimate part of his research. While he condemned the works of Hegel and Schopenhauer along with metaphysical ideas, he believed that a dialogue between philosophy and natural science could produce interesting and important achievements. He was particularly interested in the theoretical ideas of both fields. For Boltzmann, theories were a way to simplify and understand basic physical concepts; in this realm one could consider him an objectivist and perhaps also a relativist in his philosophical ideas. Boltzmann’s refutation of universals and belief in particulars is perhaps one reason why it is difficult to reduce his ideas down to one defining point.

Although his interests in philosophy were far reaching, even delving into the function of language; ultimately he was a theoretician and physicist. It was in this aspect of his life that he so vehemently worked. Tragically, though, his failure for immediate success and acceptance by the scientific community took their toll on Boltzmann. His frustrations with his work along with poor health led to his suicide in 1906 while on vacation near Trieste. Unfortunately, this happened before new discoveries were made which would prove his atomistic theories correct. Ludwig Boltzmann remains an important physicist and as more about his philosophical ideas surface, we will be able to better understand his impact on philosophical thought.

– extracted from Christina Weber

Ludwig Boltzmann was greatly demoralized due to the harsh criticism of his work. He committed suicide on September 5, 1906 at Duino, Italy by hanging himself. He was 62 years old.


[selected philosophical oeuvres]

  • Populäre Schriften. Leipzig, J.A. Barth, 1905. (reprinted in 1919 and 1925)
  • Wissenschaftliche Abhandlungen. 3 vols. Ed. Fritz Hasenöhrl. Leipzig, J.A. Barth,
    1909. (Collection of Boltzmann’s scientific articles in scientific journals.)
  • Theoretical Physics and Philosophical Problems. Ed. Brian McGuinness. Trans. Paul
    Foulkes. Dordrecht, Reidel Publishing Co., 1974.

Art / Nature exhibition

The Naturkunde Museum in Berlin host a very interesting project where contemporary art meets natural history and research “Art / Nature. Artistic interventions in the Museum of Natural History in Berlin“.

The project features interventions in the areas of sound art, fine art and literature, in which an experimental space for interactions between art, museum practice and natural research will be defined.

Natural history museums have always been places where artists were intensively involved in the study of nature. Alongside travelling researchers, artists have contributed to recording and depicting the history of life on Earth. In line with this tradition, the Federal Cultural Foundation and the Museum für Naturkunde in Berlin have embarked on a joint model project which invites international artists to develop interventions from 2014 to 2018 in one of the most renowned natural history museums in Europe.

more info at:  http://kunst.mfn-berlin.de/event/eroeffnung/

Link

The Laboratory for Noninvasive Brain-Machine Interface Systems invites applications for one National Science Foundation (NSF) -funded postdoctoral  position at the intersection of neuroscience, engineering and the arts. The postdoctoral trainee will work in the areas of neural interfaces, wearable devices, fMRI, and the visual and performing arts in collaboration with leading art institutions in Houston such as the Blaffer museum, the Children’s museum, the Museum of Fine Arts-Houston and the Methodist Center for Performing Arts Medicine.

The position is with the Laboratory for Noninvasive Brain-Machine Interface Systems research group, Department of Electrical and Computer Engineering, University of Houston, Houston, Texas.  For more information about the department please follow the link:

http://www.ece.uh.edu/

The lab is directed by Professor Dr. Jose L ‘Pepe’ Contreras-Vidal (http://www.ece.uh.edu/faculty/contreras-vidal)

Application deadline: 12-01-2015 (or as filled)

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Contact:

Jose L. Contreras-Vidal, Ph.D.
Hugh Roy and Lillie Cranz Cullen University Professor
Department of Electrical & Computer Engineering & Biomedical Engineering
Director, Laboratory for Noninvasive Brain-Machine Interface Systems
University of Houston. W310 Engineering Building II
Houston, TX  77204-4005
713-743-4429 (O)  713-743-4444 (F)
jlcontreras-vidal@UH.EDU
http://www.ee.uh.edu/faculty/contreras-vidal
http://www.facebook.com/UHBMIST

Description: This project will deploy noninvasive Mobile Brain-body Imaging devices (MoBI) in public and private museums with the goal of assaying individuality and variation in neural activity as it occurs (e.g., “in action and context”) in a large and diverse group of people, including children, experiencing fixed and interactive art exhibits. The research also includes working with neurological music/visual therapists and performing/visual artists to decode intentionality and understand the creative process. Applications to education, art therapy and engineering innovations will be sought. This is a great opportunity for those candidates with interests/skills in both the arts and neuroscience/engineering.

Major responsibilities: The postdoctoral fellow will carry out original research  throughout the period of appointment. Results will be communicated in the form of scientific articles, conference presentations, demonstrations, performances etc. The candidate will work under the supervision of senior researchers with background in neural and cognitive engineering, machine learning, big data analytics, performing arts medicine and neuroscience, and the arts. There will also be opportunities for collaboration with scientists and physicians with the Methodist Hospital Center for Performing Arts Medicine and local museums in the Houston area.

The working time of a postdoctoral fellow is mainly devoted to research and public outreach, but may include supervision of undergraduate and graduate students working in the neuroaesthetic team.

Position summary: Full-time temporary employment. The position is limited to a maximum of three years. Salary is competitive commensurate with experience and skills.

Qualifications: Applicants should have a Ph.D’s degree (or Diploma) in an area of Engineering or Applied Math, or an equivalent or similar background. Expertise or a degree in the Visual or Performing Arts is advantageous. Expertise in two of the following: biomedical signal processing, EEG, motion sensing, scientific programming, arts, neuroscience are required. Furthermore, the position requires sound verbal and written communication skills in English. High grades in relevant undergraduate courses, C/C++ and hardware implementation experience are advantageous.

University and Department: The University of Houston is located in a park-like campus close to major energy companies and the Texas Medical Center, the largest in the world, and NASA. The Carnegie Foundation recognized UH as a public research university with very high research activity. The department has embarked on an exciting period of research growth driven by committed leadership. Houston is a thriving city with an internationally diverse population, first-rate recreational opportunities, excellent schools, and affordable housing. The University of Houston, a designated Hispanic-Serving Institution (HSI), is among the top 25 colleges and universities granting undergraduate and graduate degrees to Hispanics and among the top 50 for enrolling Hispanic graduates and undergraduates. Additionally, the University ranks among the top 25 institutions for full-time, four-year undergraduate and graduate enrollment. The University of Houston is an ADVANCE institution, one of a select group of universities funded by NSF in support of our commitment to increase diversity and the participation and advancement of women in STEM.

There has been much recent interest in the suggestion that quantum mechanics might be better understood in terms of its causal structure. Novel formalism has provided a new perspective on the discrepancy between the causal structure of the classical and quantum worlds.

This conference brings together both physicists and philosophers with an interest in exploring the consequences of this new approach to causality in a quantum world. The conference is part of the research project The Causal Power of Information in a Quantum World.

The project investigates the theses that physically embodied information acquires causal power in the effective operation of intelligent agents, either natural or artificial, and that new kinds of causal relations will naturally arise when information and control is embodied in quantum systems.

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If you wish to attend, please fill out the registration form no later than July 31 2015. Speakers do not need to fill this form.

SCIENTIFIC COMMITTEE

Gerard Milburn, Phil Dowe, Andrew White, Matt Farr, Peter Evans, Alessandro Fedrizzi, Fabio Costa, Christina Giarmatzi, Sally Shrapnel.

Energies in the Arts Conference

At the outset of the 21st century any discussion of energy is inextricably linked to the politics of power and environmental catastrophe. The conference extends this understanding of energy to encompass a broader field in the arts. Art’s relationship with energy extends well beyond light and colour to the kinetic, sonic, electronic, metabolic, physical, physiological, neurological, solar and sensory. Scratch below the surface of global communications and you will find flashes and systems of energy.

The conference will be presented to overlap with the Energies: Haines & Hinterding exhibition.  Attendants willhave the possibility to meet international scholars and artists and experience their latest research and practice.

 

Keynote speakers include

Professor Linda Dalrymple Henderson, Department of Art and Art History, The University of Texas in Austin
Martin Howse, artist, Berlin
Professor Marcus Boon, Department of English, York University, Toronto
David Haines and Joyce Hinterding, artists, Lawson

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Thu 13 & Fri 14 Aug, 10am – 5pm, MCA , Veolia Lecture Theatre
Sat 15 Aug, 10am – 4pm , UNSW Art & Design

 

more info

conference program

[new book] Ignazio Licata · “Sistemi Caotici”

We are delighted to announce that Prof. Ignazio Licata, member of our honorary board, has just published a new book on chaotic systems.

I. Licata, "Sistemi caotici", Aracne Editrice LR

“L’effetto farfalla, i frattali e l’immaginario generato dalla teoria del caos sono ormai una consolidata presenza nella cultura contemporanea. Durante gli anni Ottanta tra gli stessi specialisti si era diffusa l’idea che la fisica non–lineare potesse costituire la base di una teoria dell’organizzazione che avrebbe permesso di estendere il sogno determinista di predire praticamente qualunque cosa, dai sistemi biologici ai mercati finanziari. Passò dunque l’idea che l’incertezza era vinta, tranne qualche remota zona quantistica. È maturata piuttosto la convinzione che la non–linearità è un ingrediente nei processi di amplificazione dell’informazione e della formazione di strutture, ma va immersa in una più generale teoria dell’emergenza, ancora in costruzione, che riguarda le relazioni sistema–ambiente, il ruolo delle fluttuazioni dissipative, l’ergodicità e l’interfaccia classico–quantistico. Adesso che il tempo degli slogan è passato, ci sembra utile offrire al lettore e agli studenti un’introduzione sobria alla fisica del caos.”

Ignazio Licata
Sistemi Caotici
ISBN 978-88-548-8444-1, 17 x 24 cm, 80 pp, 8 € (pdf for 4,80€)

 

 

[exhibition extended] Matteo Bultrini @ Studio Polyhedra

Matteo Bultrini. On facing Colour [Nello specchio del colore]

23 may – 31 may 2015 15 june 2015!

Bultrini@Polyhedra 3

Monday 15th will be the new end of Matteo Bultrini’s exhibition “On facing Colour” at Studio Polyhedra, Polyhedra’s new exhibition space. On public request, Studio Polyhedra has agreed to keep the exhibition open for two more weeks. The show is now open for view until June the 15th. Come visit us during our opening hours, or contact us for views by appointment.

 

 

 

 

 

 

 

Venue
Studio Polyhedra
Via della Marcigliana 561, Rome  

Opening hours
mon-fri 14:00-19:00
or by appointment  

Contact
a.c.polyhedra@gmail.com
t: +39 06 87122210

 

ICT & Art – the StARTS platform

A new EU programme supports nexuses of Science, Technology and the Arts to foster the emergence of joint arts and research communities.

“ICT can enhance our capacity to sense the world, but an artwork can reach audiences on intrinsic emotional levels.

Scientific and technological skills are not the only forces driving innovation. Creativity and the involvement of society play a major role in the innovation process and its endorsement by all. In this context, the Arts serve as catalysts in an efficient conversion of Science and Technology knowledge into novel products, services, and processes.

The constant appropriation of new technologies by artists allows them to go further in actively participating in society. By using ICT as their medium of expression, artists are able to prototype solutions, create new products and make new economic, social and business models. Additionally, by using traditional mediums of expression and considering the potentials of ICT, they propose new approaches to research and education.

The European Commission recognizes this and is therefore launching the STARTS programme: Innovation at the nexus of Science, Technology and the Arts  (StARTS) to foster the emergence of joint arts and research communities. It supported the ICT ART CONNECT study which lead the way to the StARTS initiative by revealing new evidence for the integration of the Arts as an essential and fruitful component within research and innovation in ICT.”

find out more…

 

Philosophy of Design: An Exploration

exploration-architecture.com
Philosophy of Design: An Exploration

Call for chapters
Call for co-authors

Philosophical interest in design and design research is increasing in both philosophy and design research, offering the possibility of the emergence of the new scholarly field of philosophy of design. The first steps towards this possibility have been made by work by individual authors and with volumes containing reflective research on design. With thisnew edited volume we plan to make a further step by bringing together essays that survey philosophy of design either through research papers on specific topics or by explorations of issues this field could or should take up.

Given the past naturalistic and empirical turns in philosophy, outcomes and practices in design research can immediate inform philosophy of design, and philosophy heritage can strongly fertilize design practices and design research models. For facilitating this process, the volume is planned to also include essays co-authored by design researchers and philosophers.

All topics in the large range of design disciplines are welcome, e.g., topics in the applied arts, industrial design, engineering design and all new types of design practices (ecodesign, user-centered design, interaction design, UX design, service design, design thinking, social design…).

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We therefore solicit:
• proposals for research papers on topics within philosophy of design
• candidates from design research and philosophy for co-authoring papers
Responses to the call for co-authoring will be used to create and propose matching pairs of design researchers and philosophers for co-authoring contributions to the volumes.

Topics for papers could be but are not restricted to:
• phenomenology of design: the use of hermeneutics in design processes and in design projects considered as lived experiences
• epistemology of design: the specificity of design research as compared to scientific research or considered as a new kind of scientific research
• ethics of design and responsible innovation
• design knowledge and ‘designerly ways of knowing’
• esthetics of/in design
• modelling and mapping design processes
• validation of design research

Important dates:
• June 2015, 1st: abstracts (500 words)
• December 2015, 1st: full papers (between 6000 and 12000 words)
• February 2016, 1st: decisions and feedback to authors
• March 2016, 1st: revised papers
• April 2016, 1st: submission to reviewers
• June 2016, 1st : reviewers feedback
• July 2016, 1st: final revised papers
• September 2016: release

Abstracts must be sent to:
• Pieter Vermaas, Delft University of Technology, p.e.vermaas@tudelft.nl
• Stéphane Vial, University of Nîmes / Sorbonne Paris 1 University, stephane.vial@unimes.fr http://british-aesthetics.org/cfp-philosophy-of-design-an-exploration/